Undusted Texts

  Introduction Christ is born!  Glorify Him! Today I have a Christmas hymn I wrote years ago, though I did some adjustments to the text today.  The inspiration, of course, is the famous Paschal hymn, "Jesus Christ Is Risen Today": originally, my first verse was simply a Christmas-themed rewrite of that hymn's first verse.  With further work, though, my hymn drifted away from a strict "parody" of the Paschal hymn.  Like it, though, my hymn is set to the tune "Lyra Davidica," taken from the 1708 hymn collection of the same name. Jesus Christ is Born Today by Brandon P. Otto on Scribd   Scribd link for the above document: here . Internet Archive mirror: https://archive.org/details/jesus-christ-is-born-today Text   1. Jesus Christ is born today, (Alleluia!) in a starlit earthen cave, (Alleluia!) When He once in Bedlam town (Alleluia!) Donned our flesh and doffed His crown! (Alleluia!) 2. Born of Mary, virgin pure, (Alleluia!) who was virgin did e

 Christ is born!  Glorify Him! As a supplement to my typical translations, I am beginning to post music as well.  Some of it includes simple transcriptions of hymns (such as my recent transcription of the chant Humani Generis Cessent Suspiria ); others will be translations of hymns set to old melodies.  Some may be original poems of mine set to old melodies; still others will be poems (my own or others') set to music I have composed.  I have no delusions of grandeur regarding my own musical ability, but I think some of the choices of texts, at least, might warrant my meager attempts.  The hymn included here is an example. The poem set here is by Ben Jonson (1572-1637), one of the most important poets and playwrights of the English Renaissance.  This poem--originally entitled "A Hymne on the Nativitie of My Saviour"--was included by Jonson in a proposed collection of verse entitled Under-wood (the title being a sequel to an earlier collection, The Forrest , published in 1

  Introduction The Oratory of Jesus was founded by Cardinal Pierre de Bérulle (1575-1629). Famous members include St. John Eudes (1601-1680)--before forming his own congregation--and Jean-Jacques Olier (1608-1657). The French school of spirituality, founded by Bérulle and perpetuated by the Oratory, was a major force in the spiritual formation of St. Louis Marie de Montfort (1673-1716). The Oratory is a society of priests, not a traditional religious order, and their emphasis is on Jesus and His humility in the Incarnation.  Their liturgical calendar has a few peculiar feasts, most notably the Solemnity of Jesus (January 28), as well as a special commemoration of the Incarnation on the 25th of every month.  However, the hymn transcribed here is simply a special sequence for the Feast of the Annunciation, taken from a book of hymns for the use of the Oratory. I posted a translation of this sequence to my old website, "Undusted Texts," back in 2017.  What I've done here is

  Introduction The odd litany translated below is found in a collection of chants, songs, and hymns used by the Oratory of Jesus, founded by Cardinal Pierre de Bérulle (1575-1629).  This litany is provided in an appendix, and it is said to be the work of Charles de Condren (1588-1641), the second Superior General of the Oratory, following Bérulle's death.  He was also the confessor of Jean-Jacques Olier (1608-1657), founder of the Sulpicians (Society of the Priests of Saint-Sulpice).  The petitions in this litany are quite unwieldy, being mostly passages from St. Paul--predominantly the Letter to the Hebrews--awkwardly stuffed into the format of a litany.  The theme of the litany is still an interesting one, though, so I have translated it here.      Litany in Honor of Our Lord Jesus Christ, Priest and Victim   (Extracted from the Epistles of St. Paul by Charles de Condren)   Kyrie eleison. Christ eleison.  Kyrie eleison. Jesus, Priest and High Priest Most High, hear us. Jesus, Lam

  Introduction St. Romanos (d. 6th century) is one of the most famous figures in Byzantine hymnody.  Though the majority of the Byzantine liturgical hymns are ascribed to St. John of Damascus (675-749) and his foster-brother St. Cosmas the Hymnographer (8th c.), St. Romanos' works are a foundational element of Byzantine hymnody.  Specifically, he is considered the Greek popularizer of the kontakion format, a long hymn consisting of metrically-identical stanzas ( oikoi ) preceded by a distinct introductory stanza ( prooimoion or koukoulion ), with an identical refrain shared by both types of stanza.  The full hymns used to be used in the liturgy: now all that usually remains is the koukoulion (renamed "kontakion") and the first oikos .  The Akathist Hymn is a memorable example of a full kontakion still in use.  (The Akathist is often attributed to St. Romanos, but scholars typically think it is a later imitation of his work.) Legend states that St. Romanos was a bumbling

In order to make this blog a better hub for all of my work, I have added a new page with links to my Publications and Unpublications , that is, draft papers.  Most of these publications are articles at the Homiletic & Pastoral Review ; a few are conference papers, which I have uploaded to Academia.edu.   I have also begun uploading some draft papers, or papers for which I don't think I'll ever find a publisher.  Each paper will be added to my Publications and Unpublications page once I have linked it. In my slow process of revising the layout of this blog, I have added this new page to the main navigation bar, and I have removed links to two prominent blog posts: "How to Discuss the Eastern Church: A Grammatical Primer," and the Table of Contents to my Church Documents Index.  The grammatical primer was written over a decade ago, and--though I have not yet taken time to review it--I assume I made some errors in it.  The Church Documents Index has not been update

  Introduction It was long a tradition for unknown writers to sign a famous author's names to their works; sometimes, the work was half by the purported author anyway.  The homily translated below is nominally attributed to St. Augustine, but scholars reject it as spurious.  Some pieces of it can be traced to other writers: a large portion of §1 is copied from St. Gregory the Great's Homilies on the Gospels XXII.6 (PL76:1177B-D).  The editor of the Latin text claims portions of §§2-3 are taken, respectively, from the homilies on Pascha and on the Ascension by a certain Eusebius, but I have not yet located the source.   Sermon CLX On Pascha II The Biting and Slaying of Hell   The Passion or resurrection of our Lord and Savior Jesus Christ, beloved brethren, all of the volumes of the Old Testament spoke of beforehand in many ways, so that, even through the mouth of David the prophet, the Holy Spirit clearly shows this, saying, A God of ven

  Introduction St. Bernard of Clairvaux (1090-1153) needs little introduction.  Famous for his zeal for the Cistercian reform and his mystical writings, particularly those on Mary, as well as his long series of homilies on the Song of Songs, and perhaps a little more infamous for his fervent preaching of the Crusades, he has often been given the title "Last of the Fathers."  He is also known by the more extravagant title of Doctor Mellifluus , "Honey-Flowing Doctor."  The sermon translated below is the last in a series of Lenten sermons. Lenten Sermons VII On the Pilgrim, Dead and Crucified   Happy are those who show themselves as worthless strangers and pilgrims to the present world , keeping themselves unspotted by it! For we do not have an enduring city here, but we look to a future one (Heb 13:14). Therefore, let us abstain from carnal desires, which fight against the soul, as strangers and pilgrims. A pilgrim, indeed, wa

  Introduction Antonio de Guevara (1481-1545) was born in Treceño, Cantabria, to a noble family.  Thanks to the influence of his uncle, he was educated in the royal court of Castille, where--so he claimed--he served as page to Queen Isabella I (r. 1474-1504), la Reina Católica .  Following her death, he entered the Franciscan Order, in 1505.  After some official roles in the order, he returned to court, becoming court preacher to the Holy Roman Emperor, Charles V (1500-1558), also known as Charles I of Spain, in 1521.  He served the emperor in many capacities, including becoming his chronicler beginning in 1527.  In 1528, he was named Bishop of Guadix, and then Bishop of Mondoñedo in 1537.  He died in his diocese in 1545 and was buried in the cathedral of Mondoñedo. De Guevara was a prolific writer, especially during his time in court.  Many of his books were about the courtly life, with his famous being the Dial of Princes (Reloj de príncipes) (1529), an expanded version of the previ