Gabriel Miró's "Figures of the Passion of the Lord"
A few years ago, I wrote an article about how the text of Scripture itself, though rich, is usually lacking in sufficient detail and action to provide for a typical literary narrative. Because of that, writers have had to invent new elements when making narratives out of Scriptural topics. (Another aspect is the simple desire to know more about what and who we read about in Scripture, without any literary aspirations: it is such a desire that, I think, was often a drive behind the oldest legends and traditions.) The story of the Passion is a prime example of this. Marco Girolamo Vida's The Christiad adds so many new elements, such as a depiction of the Harrowing of Hell (which influenced Milton's depictions of Hell in Paradise Lost ), or making Joseph survive until the Passion in order to plead on Jesus' behalf. (In this case, it was a bit of a literary necessity: in accord with epic tradition, the story had to start in media res , but it had...